Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly upright, his limbs defined beneath a simple white T-shirt. During performances, ballet dancers can seem as mighty gods, yet often in person they are petite. This is not true for Ball, whose height is part of his demand for heroic characters and partnering. With fine traits and piercing eyes, there's a touch of Robert Pattinson about him.
An Apparent Rise to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he faced little ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted each year, reaching the highest position of principal in 2018. He has loved tackling meaty characters, particularly the psychological angst found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's next featured appearance is in a talk, in an "In Conversation" event aiming to offer intimate perspectives into a performer's craft. He will guide the crowd through a role, showing his cognitive workflow while execution. Yet in lighter works, the challenge is significant. "A classic ballet is one of the most demanding technically," he notes.
The Psychological Struggle and After the Show Emotions
How does he feel after a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get immersed in the role, quite often I do feel embarrassed later. After Mayerling I'm always like: God, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. But a dance maker once remarked on a "kind of suffering in him." Does this exist? "I am very energetic usually, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."
Early Drivers and Creative Inspirations
His tenacity originated in youthful experiences. Not excelling in contests at school made him "vengeful!" It was fuel to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
An upcoming endeavor is creating his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from literature, music, and art.
Close-Up Dance and Personal Partnership
He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their home company, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite cheerleader."
On Social Media and Physical Perception
On social media, fans can see clips from his dance films and photos that showcase a sculpted physique. Does he mind that the engagement can be a bit objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on various ways.
Ball characterizes his younger self as "eager for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate thing to the aspirations you had as a child," he muses. He probably has another ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."